Section 1, “The Crime,” deals with the crime that has become literary criticism. Farr attempts to right that crime. In chapter 1, Farr argues for a different take on criticizing the novels that we read. Chapter 2 delves into the class biases that inherently exist in the novels that we choose. Section 2 then takes principles and goes into case studies. These are studies on:
- Chapter 3 – Lolita
- Chapter 4 – Oprah’s Book Club
- Chapter 5 – “Chick Lit”
- Chapter 6 – 50 Shades
- Chapter 7 – Jodi Picoult
- Chapter 8 – Atlas Shrugged
- Chapter 9 – Harry Potter
Section 3 is composed only of Chapter 10, which presents Farr’s final goal of this book- a new way of book critiquing. Her emphasis here is clear: find out why you think a book is good. I have to agree here. Not all the books that I have reviewed are good. I have not enjoyed them all. Some of them are by good authors, yet I have not liked them. But we must each decide why we think a book is good. For this reason, I give this book 4 stars out of 5.
WHERE TO BUY THIS BOOK:
http://www.springer.com/us/book/9781137553621
BIBLIOGRAPHY OF THIS BOOK:
Konchar Farr, Cecilia. The Ulysses Delusion: Rethinking the Standards of Literary Merit. Cham, Switzerland: Springer International, 2016.
DISCLOSURE OF MATERIAL: I received a complimentary copy of this book through the Springer book review program, which requires an honest, though not necessarily positive review. The opinions I have expressed are my own.
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